The hall before the church is so random that I rarely have the same fight. It remains powerful for the entire game and has an alternate fire which is a timed mine that is very powerful and will kill most enemies in one shot. This also causes the game to not load the other train car textures.Ĭhapter 3- This where I use the store since the elevator ride doesn't end until Stross stops talking. Letting a Slasher open that door and killing him in it will keep the door from locking so I get to the other train car faster. One of my favorite glitches that I found while running this game is for the train section. There's an invisble wall to prevent you from running past for a few seconds when that Slasher pops out of the door and knocks you down. Getting Isacc's suit restores all of his health.Ĭhapter 2- I use a power node to open a room that has ammo and health but most immportant a super conductor that sells for alot of money. The debuff will go away if you take damage, use a health pack, or after a certain amount of time. If they spit on you, you get a movement debuff that makes Isacc look like he's walking underwater while wearing weights. Pukers are introduced and are a constant concern. Time starts when I control Isacc to the last input possible, ending my run with a time of 2:25:15.Ĭhapter 1- This chapter is fairly standard with only small mistakes. This is a single segment, new game, casual difficulty run. I'd also like to thank those who cheered me on during recording attemtps. Kudos to him, Stone and everyone else involved in this film.First off thanks Lividlooneybin for some great ideas and tricks I otherwise would have never guessed would work.

He really does capture Snowden in this movie.

He's been in dozens of movies now, and his performances in each of them have been excellent. Can I also talk about Joseph Gordon-Levitt? The man is clearly a great actor with enormous range. If you are unable to emotionally handle that didactic aspect, don't see this movie. Yes, Stone is taking a pro-Snowden position and is trying to convince you that his position is right. Only near the end did the political aspect become a little too much. I felt the story was presented objectively and neutrally. I can't imagine anyone ever producing a Snowden movie that is better than this one. It is a pleasure to just sit back and let Stone show Snowden's story to you. His movies are so credible, so finely crafted, so watchable.

He's succeeded once again in producing an interesting and sympathetic historical movie, this time about the Edward Snowden whistle-blowing story.

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